The -7 stuff is pure lo-fi volume war fare.) Mp3's are often smacked up a bit more (usually between -8 and -6 LUFS which sort of makes sense for the format. (More for the benefit of the cheap portable players than the limitations of the old CD format at that level of squash and boost. The portable quality version mastered for a CD is usually between -11 and -7 LUFS. Unsquished dynamic music sold in 24 bit HD formats is usually around -16 LUFS nowadays.
but good luck getting anyone to go along with that! I thought the number being thrown around was -16 LUFS (which is about where Dark Side Of The Moon sits). RMS value at about -8.5 dB !!! But this way mixes become overcompressed and To be as loud as Radio I have to make my mixes louder with an average My mixes are mixed mainly with a RMS value (I know RMS is different from LUFS,īut values are similar usually) about -14 dB in order Radio is very loud, so I do not think the LUFS value could be -23 dB. Songs from different radio stations, I always noticed that music from I suppose -23 LUFS is for radio broadcasts, as well !-?ī-U-T when I checked my mixes in my car and compared to loudness of There are free, inexpensive(Toneboosters) and expensive tools with many features (~$300+) to help you with this. The goal is to have a consistent overall loudness of shows and other stuff like news, promotions and of course advertising. This is mostly used in television broadcasting, so most shows you see have audio mixes normalized to that loudness value. 23 LUFS is the target value for the integrated loudness of a piece of audio in the broadcast norm EBU R128.
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